Ultrafit: Maven of movement
STEPHEN REGENOLD, Star
Tribune
The year was 1974, and Lonna
Mosow had begun promoting yoga, a form of exercise
and meditation new to the Western world. But her sessions weren't getting many
takers. "I couldn't fill a class," she said.
It was the early days of voluntary exercise
in America, a pre-Jane Fonda era in which jogging was still gaining steam and aerobics,
at best, was considered eccentric.
Yoga, with its postures and poses like Virabhadrasana, may as well have come from outer space.
"People thought I was a kook,"
said Mosow, who opened her first workout studio -- a
bare-bones space with a wood floor and mirrored walls -- the same summer that
President RIchard Nixon resigned.
Mosow, a ballet dancer from
"I had trouble getting a lease,"
she said. "No bank would give me a loan."
But despite skepticism, Lonna
Mosow's Hot Workouts, as the studio was called,
flourished as a trailblazer on the burgeoning local fitness scene. Yoga was
initially a bust, although Mosow's aerobics classes,
choreographed hourlong routines incorporating music
and drill-sergeant-style instructions shouted over a microphone, became a hit.
Bolstered by her TV appearances -- Mosow hosted the long-running "Figure Fitness" on
Ch. 11 and was a regular guest on KSTP's daytime talk
show "Good Company" -- the spry dancer gained a following. Leading
multiple sessions a day, Mosow built her business by
working thousands of local exercisers into a calorie-burning fervor.
"During a workout, you want to catch
the energy wave she has going on," said Ellen Hancock, a 54-year-old
finance worker from
Hancock, who started attending sessions led
by Mosow after the birth of her second child, said a
personal connection to her instructor is what keeps her coming back -- up to
four times a week for the past 20 years straight:
"If I ever think of blowing off a
class, Lonna's face registers in my head, and then I
have to go."
Mosow weighs just over 100 pounds. She stands 5 feet 5
inches tall, lanky and thin, with muscles shaped from a lifetime of movement.
This July marks her 34th year in business, but she has no plans to retire.
"I don't even know what that means," she said.
To compare Mosow
to the Energizer Bunny might be an understatement. For 25 years she got up and
ran at dawn, never missing a day. Then she went to the studio to exercise and
inspire, leading classes every day and putting in 80-hour workweeks for as long
as she can recall.
In the 1980s, when Hot Workouts had expanded
to three studios, Mosow shuffled from
"The goal was to keep it
personal," she said. "I wanted to be teaching the classes, to keep my
face in the picture."
But demand for the Mosow
method outstripped even her capacity. She began hiring instructors, managing a
staff of 30 trainers and teachers who led classes on aerobics, stretching,
strength and -- by then fully embraced -- yoga.
"I credit my lifelong health routine to
Lonna," said Gwen McCourt, 51, of
Although personal connection is her forte, Mosow has a flair for theatrics. In addition to her TV
work, Mosow led large-scale productions in the 1980s
that included a thousands-strong aerobics class at the Metrodome
and a multiweek contest at
"They were high-level aerobic workouts
with the hottest, best music of all time," she said.
To add oomph to workouts at her studios, Mosow hired a stage lighting company and a computer expert
to coordinate strobes, disco balls and music -- all synchronized with a workout
routine she created based on dance moves and aerobic technique. It was 90
minutes long, with music pulsing, lights coursing and gym-goers in a trance.
Mosow, up front with the microphone, was the sweating,
straining dancing queen of her own show.
The pace changed in the 1990s. Aerobics, the
cutting-edge workout of the Reagan era, lost its hold as exercisers turned to
new activities.
Mosow scaled back, going from three studios and more than
30 staffers in the mid-'80s to just one studio by 1990.
She dropped the "Hot Workouts"
name and reoriented her business. Her new studio, off
Pilates, an unknown practice at the time,
was a new passion for Mosow. Her studio soon became a
certifying center for the discipline.
Yoga continued to grow, as did spinning
classes featuring stationary bikes and an instructor up front. In 2001, Mosow began teaching Gyrotonic
and Gyrokinesis, yoga-influenced workout techniques
that focus on flexibility and the stimulation of the spine.
But aerobics, Mosow's
longtime love, never lost her attention. A core group of exercisers, almost all
women, continued to attend her Basic Fitness Method class, leaping, marching,
punching and striding to music like they'd done for years. "It's like that
feeling you get when you're singing to yourself in the car," Hancock said.
"There's this magic blend with Lonna -- of commitment and exhilaration and artistry -- and
you feel just lifted up."